Riccardo Cocchi & Yulia Zagoruychenko | Paso Doble - Rumba
do not pull really do not create your action over and then take it in
by wrapping around so the feeling of the action is building up with the body over and not this yes so
doesn't go nowhere so one again end one two three four five six seven eight into the aids again
eight believe me she doesn't need more information than this to settle why because why you doing in
your body she's gonna fall she's gonna realize if you embrace her there causing lifting and sending
you giving information and a freedom for her to react into the movement okay try
and one two three four five six seven eight one
one okay there now sorry guys when you go down i don't wanna see your butt getting down
yes that's why we keep the pelvis forward because this
is going to be the definition of how much my upper body can get to the leg
now another very important things lady doesn't go and roll back so even though we lead
it back we actually saw so in theory i don't have to
take her in it doesn't matter if i push her back her reaction is always she's going forward
i can have resistance there and the only things i have to do is accept it no no pull it in yes no
the big things in paso doble because the arms are moving too much so let's try shots again shall we
and
slow down
so there is a different time it's not a quick quick slow quickly slow itself her time
and quick quick
ah slow yeah because i'm waiting her to fill it in
then when she's getting down i have to use the scoop to let out
so i'm not doing there and i'm not doing
that i'm just allow my body to get in to give a space slowing down slow slow and yes can we try
so three four and down five six seven eight and up one two three
three
yeah why why is he there why is he in the body up try to squeeze your action
settle your body into it two three four
five six seven so what happened in five six seven after you wear this what happened here
what happened there what do you think what is happening here
why the action here
is okay there is a rotation here when the mouth depends it should stay with the pelvic
forward when you do when you sw when you see a bullfight right here in this position here
why is this position what do you think is there
why they chose to be like the best exercise to get your body in tune to get your body a little
bit more warm and get with your body more coordinated first number one is the posture
everything wherever you start to dance it has to be right position of your body so what it is
we have to keep a long spine with the long spine it's mean that you have to come up from your hip
so you don't start with a setup down you start always with a little bit of elevation you come
up yes so this is number one second rib cage it's closing down and the pelvic a little bit tilt
in so in the neutral position maybe at the beginning for the
beginners or it's going to be feels a little bit unnatural but that's how you find yourself
more and more you practice more natural feel for it so you keep it close from the
two and three and four in a four beats so the first thing before you move you release the hip
settlement start to rotate activate the also upper body straighten the knee pick up the heel between
yes and that's you have to feel a position and then continue move till the toe finishing
yeah yes and then again beginning and settlement rotation leg foot settle rotation left foot
settle rotation left foot now when i set the leg the body don't stop i was gonna be
back yeah so you have at the same time knee pull variables
chicken
and
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