Hi. I’m Matt.
And this is Logos Made Flesh.
This movie may not look like a sermon to the sexes.
It's an action film.
One crazed carnivalesque chase scene, from beginning to end.
And yet Fury Road has been widely recognized as a feminist film.
It’s about powerful women,
specifically the war-rig driver Furiosa
and the female band she rescues from sexual enslavement.
We’re going to the green place of many mothers.
And in a land of mothers, we're introduced to even more badass women.
The male Max, by contrast, seems a lesser figure.
For the first quarter of the film, he’s an incapacitated victim.
And when released, he rarely speaks,
fighting alongside or at the direction of Furiosa.
But this is a movie equally for men
and it would be a mistake to downplay Max’s role.
What he does and what's done to him becomes the film's symbol of redemption.
The film presents Max as a bird of prey.
Though he tries to fly from captivity, he’s confined to a birdcage
and made to wear a muzzle that resembles a beak.
That’s my head!
Which is in part defined in the dashes bobbling birds head.
But Max isn’t just any bird,
I live. I die. I live again.
rising from the ashes of a fiery crash, he's revealed to be the Pheonix.
And it's this resurrected bird who appears destined to confront the beast who boasts.
“I am your redeemer. It is by my hand you will rise from the ashes of this world.”
But it’s a lie!
Under the control of Immortan Joe (who lives by machine), People, like nature, have been reduced to fuel.
His female concubines are charged to give birth to his warriors.
And if they aren’t producing them, they’re being drained of their milk to fuel them.
Males are likewise exploited, promised a heavenly reward if they fight and die for Joe’s rule.
I myself will carry you to the gats of Valhalla.
Am I awaited?
You will ride eternal shiny and chrome.
Witness! Witness!
And if they aren’t fighting, their blood is drained like gas for those that do.
It’s because the women have been oppressed by this man that they fly to a world without men.
I can’t wait for them to see it.
See?
See what?
Home. The Green Place.
We couldn’t grow anything.
Where are the others?
What others?
The many mothers.
We’re the only ones left.
But for obvious reasons, they find that world equally doomed.
You know hope is a mistake.
It’s Max who stops them from going further.
Like them, he began the film avoiding others.
But now, because of what’s been done to him, he’s a changed man.
Subjected, like the women, to the position of a rape victim,
[Max is bound via a chain of blood to the war-boy Nux.
and through that image symbolically impregnated with him,
placed at the mercy of his unborn child in the driver seat.
Get it out. Get it out!
The film further suggests this relationship in the mirrored images of an unborn baby’s foot
and umbilical chord.
I want to drive the war-rig
At first, Max shows little concern for his newborn.
It’s only after their link stops Nux from carrying out Joe’s wishes
and Nux turns to use that same link to help Max,
that Max comes to fully [embrace Nux as Son.
Investing him with a boot and the control of the War-Rig.
Nux has become a little Max which is what his name reflects.
What is this?
It’s Mother’s Milk
Now a mother, Max washes in "mother's milk" and is accepted into the “land of many mothers.”
It’s this male and female Max who turns the women from the fantasy of a world without men
and points them to the source of their oppression.
Look. It’ll be a hard day.
But I guarantee you that a hundred and sixty day ride that way
There’s nothing but salt.
At least that way, you know, we might be able to…
together
come across some kind of redemption
Life, for Max, is found in redeeming this one.
Feels like hope
Which can only happen when men and women unite against the exploitation of the beast and his machine.
Fury Road isn't just a post-apocalyptic film. It's the apocalypse itself - a retelling of the book of Revelation.
The Citadel, over which Joe rules, is the city of Babylon with its legendary hanging gardens.
Joe is the beast, possessing a mouth like a lion.
And the dragon, seeking to devour the woman and her child.
Like Revelation, Fury Road is epic vision of humanities restoration from the fall.
As the world fell, each of us, in our own way, was broken.
According to Genesis, Revelation’s source, it was in following a serpent, that the sexes were cursed to an endless cycle of subjugation.
The serpent was cursed to eat the dust and war with woman.
The woman to war with man.
And man to war with the ground until he returns to the dust in death, to be eaten by the serpent.
But both the book and film pick up on Genesis' promise that one day the woman's child will crush the serpents head.
Max is said to eat shlanger.
who eats Shlanger
Joe is called a shalnger.
Shlanger
And because the word is undefined in the film it evokes the imagine of the one thing Max does eat.
Instead of being eaten in the dust. Fury Road opens with Max eating the serpent’s head.
In Revelation, it’s Jesus, the Son of Man, the ideal man and representative of all men, who brings this war to an end.
The Pheonix is a traditional symbol of him.
Max, like Jesus, is “lifted up” on a cross so that his universal blood can give life to the dying.
I live. I die. I live again.
Nux’s hope for resurrection becomes a reality not in Joe’s exploitation but in the passion and resurrection of Max who pulls Nux from a symbolic tomb and womb.
In the end, it’s Max’s born again son who gives his life for others,
Witness me.
in witness, the meaning of martyr,
overturning the oppression of jihad to halt the long train of war.
The woman likewise brings an end to the war,
Remember me.
slaying the beast by stripping his mouth and her hand of the machine.
But in the midst of the fight, Furiousa receives a mortal wound.
A symbolic inversion of woman’s creation from a bone in man’s side.
And yet its this creation account which explains why man sacrifices to restore the unity between the sexes.
It’s though a picture of marriage that Max becomes one with Furiosa.
I am so sorry.
He reopens her side, drains his blood to fill her and ultimately gives her his name.
Max. My name is Max.
This is life. Man lays down his life for his wife as the Woman gives life to their child.
And through mutual self-giving renews the world.
That’s my name.
Fury Road ends like Revelation with a marriage between Christ and his bride, a transformed people and city where the water’s of life flow without ceasing.
By the sacrifice of the ideal redeemer,
woman and the world are lifted up.
All that from one hell of an action film.
Here’s an interesting tidbit of information.
Mel Gibson was supposed to play the title role but the film was postponed for more than ten years.
I think some of the allusions in the film would have been more pronounced.
Mel Gibson being behind the Passion of the Christ and Apocolypto.
And another film, an Australian film, Chicken Run, made in 2000.
Which is about a group of chickens trying to flee the coop.
And they need the help of a rooster in order to do that.
George Miller also is the mind behind Babe and Happy Feet.
The only other films that George Miller has done are animal films.
Hi. I’m Matt and I’m the creator behind Logos Made Flesh, a blog and website and youtube channel dedicated to exploring the Bible and film.
Got a lot more planned. Hopefully, next up Cast Away.
Gattaca
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Talk about what you found. There’s lots more about this film that I didn’t share.
Seven minutes just wasn’t enough to capture.
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